Life as a writer: Part 2 of an interview with Amber Averay

In the second part of my interview with author Amber Averay, Amber talks about her writing life.

Amber, are you a full-time or part-time writer? How do you organise your writing time?
Through necessity I’m definitely a part-time writer at this stage. I’d like to be able one day to be a professional full-time author, but right now it’s a case of writing when work and family commitments allow.

Someone described me as a … writer of fairy tales for adults …

Unfortunately I don’t have an organised diary when it comes to writing. When the mood takes me, I get on the computer or whip out paper and pen and begin. However I never try to force a chapter out. When I’m motivated I can write up to twenty pages a day; when I’m not, I find it hard to even scratch out a paragraph.

I have found, though, that if I’m enjoying what I’m working on I’m rarely lost for motivation!

How does your own background inform your writing?
I’ve grown up with books; my mother read to me almost from being a newborn, I’ve been told. As soon as I could read I was never without my nose in a book, mainly Elizabeth Goudge’s The Little White Horse, or E.B. White’s Charlotte’s Web. I have always loved fantasy, or the sweet and strange.

As a child,  my choice of television shows and movies included He-Man and She-Ra, The Neverending Story, Labyrinth and Krull, to name a few.

As a child when I would go out farming with my father, I would pretend that I was an explorer discovering new worlds and would race around, dodging monsters and flying beasts and chatting to new friends that were visible only to me.

How would you describe your ‘brand’ as an author? What is it that differentiates you from other authors?
Someone described me as a unique writer of fairy tales for adults, which I think is nice as it’s not something often heard today. And as for what it is that differentiates me, I am really not sure. Perhaps it is that I have only one novel published at this time, but I write to please myself and try not to use creatures or genres currently popular in the mainstream.

Are there any ‘how-to’ writing books, workshops or online communities that you could recommend to other writers?
Having never used a ‘how-to’ guide or attended a workshop of any kind, I am truly not qualified to suggest such things to other writers. I would recommend however that they join their local Writer’s Centre as they have invaluable information for budding authors.

Goodreads is a fantastic source of support and encouragement from people who have managed to get published and can give advice, or who are still struggling but can share their experiences.

If you could travel back in time to the moment before you sent off your first manuscript, what advice would you give yourself?
Be patient! I had been warned it would be a month before I heard back from the publisher (which turned out to be a short week) but it felt like forever.

The worry, the concern, the certainty that I would be knocked back made me irritable, and each morning when I checked my inbox I grew ever more sure that my manuscript would not be accepted.

Patience is not something I’m known for, and it is the one thing I would advise myself to have if it were possible for me to travel back to that moment. I’m sure such advice would have made life for my family so much easier!

Enchantment’s Deception — on the back cover

Sigrid is a young witchwoman of Zircondia, rebel and outcast. She ‘views’ the bloodthirsty alien wars blasting the skies of a neighbouring world, and her desire to learn the truth behind the beloved Tale of the Banished Trolls leaves her sister cold with terror.

Yet her actions reveal aliens and trolls’ stories to be incontrovertibly entwined, as is her own mother’s involvement in the wars of the former and the banishment of the latter …

About Amber Averay
I am the fifth child of six, and aunt to five nieces and one nephew. I have two great-nephews, and a forest of family rather than merely a tree.

From the age of two I would go out farming with my father, and thought I was the most important person in the world because of it. School readily knocked such ideas out of me, and I took to reading and writing to distract me from the misery that school places on most children.

After completing Year 12 I did work experience at the local Magistrate’s Court, had a twelve month Clerical Traineeship with the S.A. Government, worked for some years as a temp (where the jobs were varied and entirely dissimilar to each other), then began working for Angus and Robertson, where I remain today.

Writing has always been my passion, and since the publication of my debut novel my coworkers at the Munno Para store have been incredibly supportive and helpful. They recommend Deception to customers, have handed out fliers, bookmarks, posters, and are encouraging the other stores in the company chain to join them in promoting my book.

Between them and my amazingly generous and helpful family, I consider myself a very lucky woman.

Weblinks
You can buy Amber’s book from a few online bookstores:

Amazon

Booktopia

Strategic Marketing and Publishing

Angus and Robertson

Borders Australia

Enchantment’s Deception can also be ordered through Angus and Robertson stores.

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How did you get published? Interview with emerging author, Amber Averay

Enchantment's Deception by Amber Averay

The cover for Amber's book

Today, I’m talking to author Amber Averay. Amber’s first novel — a fantasy and science fiction story — is called Enchantment’s Deception. It’s the first in a series of five and is published by Strategic Marketing and Publishing under the imprint Eloquent Books.

Amber, can you tell me how you first came to be published?
I had been sending query emails to publishers dealing with unsolicited manuscripts and agents in Australia and Britain. The rare times I was sent a reply it was a polite ‘no, thank you’.

I found an agency in America who said they would forward my email to their sister company, Strategic, and to give them a week to reply. The next morning in my inbox was an email requesting the entire manuscript, and to give the publishers a month to get back to me. A week later I was sent my contract.

I wanted to write something that my then six-year-old nieces would enjoy … they were fans of Charmed, Sabrina the Teenage Witch, Bewitched and I Dream of Jeannie

How have you developed your writing skills? Have you done any courses or workshops?
I think most of it is self-criticism. When I completed the first draft of Deception, I was supposed to be studying for Year 12 exams, and I handwrote a 93 page story without a title. I was proud of it and myself, and put it away for 6 months.

When I went back to it I thought it was the worst thing I’d ever written. I inserted new chapters, edited existing ones, and removed those which I realised were completely unnecessary.

This process continued for several years, interspersed with critical feedback from my sister, who told me if she thought passages were boring, repetitive or irrelevant. I had the manuscript, by then called Enchanted World, read by a manuscript assessment agency, who were generous with both their encouragement and criticism. Their main problem was the title, which they considered ’too twee’. I tweaked the work where suggested, changed the title to Enchantment’s Deception, and began looking for agents or publishers.

Having never done a writing course or workshop in my life, being told by the agency that I should begin looking to get Deception published as it was a ‘great story that cries out for a sequel, or even a series’ was a huge thrill.

Did you have a deliberate strategy to develop your career as a writer?
No, not at all. Initially it was something I did for fun after school; writing short stories and poetry gave me a creative freedom that I don’t think many schools allow for. Neither my Primary nor High schools offered creative writing lessons, so it was something that I really did for myself. I always wanted to be an author, but never really knew how I would go about it.

When I began Enchanted World, I wanted to write something that my then six-year-old nieces would enjoy as they were fans of Charmed, Sabrina the Teenage Witch, Bewitched and I Dream of Jeannie, to name a few. But as it grew and evolved, I started thinking more seriously about having Enchantment’s Deception prepared for perusal.

Do you ever encounter obstacles (in terms of craft) when writing for publication? How do you address them?
As this is my first published novel, and one which originally I was going to leave hidden in the back of the wardrobe, I don’t really know what it’s like to write strictly for publication. While working on the second book in the series I have found writer’s block an annoying irritant that comes more frequently than I’d like. When W.B. strikes I step away from my work and don’t touch it again for a week or more until I know I’m ready to get back into it.

I know a few people who say it’s best to work through writer’s block, but that has never worked for me.

Do you do research for your fiction? If so, how do you tackle it?
I don’t actually do any research; I think, if it was closer to science fiction than fantasy, I would have to do quite a bit research, but my novel is set on another world, in another galaxy; and I think, realistically, that’s what I enjoyed the most about writing it. I had the freedom to create something that I could sit and write, without needing to refer to other books.

With your novel, what did your publisher expect from you in terms of rewrites?
Well, I really don’t have much to say on this topic; my manuscript was accepted, I was sent a contract, and the publication process got underway. I was told initially that the editing process would take up to three months; I think it was the next day I had an email saying they had no editing to do, which was great to hear.

The only times rewrites or corrections suggested were back in 2007 when the manuscript assessment agency suggested the removal of a chapter, and the extension of another.

Apart from your novel, do you do any other forms of writing?
Over the years I have written the four sequels in the Enchantment’s Deception series, created a book of poetry that will likely never see the light of day, written song lyrics.

I am working on a screenplay with a friend in America when we can both get on the net at the same time, and we’re also currently collaborating on another project, along the lines of a supernatural thriller.

When W.B. (writer’s block) strikes I step away from my work and don’t touch it again for a week or more until I know I’m ready to get back into it.

Do you have an agent? Why/why not?
I wanted to have an agent, but could not get anyone interested. Then, when Deception was published, I tried again to approach agencies requesting if they would be interested in representing me. Unfortunately so far I’ve not had any luck, but I’m not going to give up. I’ve made it this far with determination, the support of my family and luck; I’ll not be giving up until I’ve achieved my next goal.

How do you go about negotiating your contract with your publisher?
I have a set contract with my publisher, which does not appear to be open to negotiation at this time. Before I even consider trying to renegotiate, I’d like to try and build up sales of Deception. I’ve had positive feedback so far, so I’m hoping it will have some popularity in the future.

What’s happened in the past with publicity and promotions for your books? Have you had assistance from your publishers or have you organised everything?
Strategic created a press release for me, and have also made up a book trailer on YouTube. My niece, knowing I’m definitely not very Internet savvy, created a fan page for me on Facebook. My sister and I have worked together making up bookmarks with Deception’s details, which we’ve left with the local bookstores, libraries, and handed out to people throughout the nearest shopping centres.

The bookstore I work for have given me a large window for promotional purposes, and we have posters of the book’s cover in store with ‘Coming Soon: Order Now’ signage. I was also interviewed and photographed for our local Messenger newspaper, which has garnered some interest in the book.

Have you done a book launch, book signings, spoken at literary events and festivals, or spoken on radio?
So far I haven’t been able to get the attention of radio stations, nor have I done any book signings. We have arranged a belated launch, complete with raffle, giveaways, book signing and balloons for children — we are just waiting on the stock to arrive before we can set a date.

Have you spoken to schools or other groups?
Not as yet; it’s currently school holidays, so I am unable to contact anyone regarding speaking to the students. However, several schools have already stated their interest in having Deception included in the school curriculum for next year. When the holidays are over I’m going to be approaching the schools again, and will continue to do so, until I get an answer.

I know you’re not very keen on online promotion, but how do you find online communities such as Goodreads?
Goodreads is fantastic. I’ve joined several online communities, such as Elfwood and Authors Den, but I have found Goodreads to be by far the best. The interaction is fun, informative, and nobody is excluded as you can sometimes feel on certain sites. It was my friend in America who introduced me to Goodreads, and I’d been on it for a week or so I think, when I was contacted by Mandy and invited to the Aussie Reads section. I’m not very confident with the internet, but Goodreads has been invaluable.

In part 2 of her interview, Amber talks about life as a writer and her writing background. I’ll put up part 2 early next week.